I had desired it with an ardour3/1/2024 ![]() 84 22 Roman-style armour of Guidobaldo II della Rovere. 81 21 Pedro Berruguete (?), Federigo da Montefeltro with His Son Guidobaldo I, 1477. 79 20 Titian, Portrait of Francesco Maria della Rovere, 1536–8. 74 19 Titian, Portrait of Guidobaldo II della Rovere with His Son Francesco II, 1552–3. 68 18 Agnolo Bronzino, Portrait of Guidobaldo II della Rovere, 1531–2. Rüstkammer des Kunsthistorischen Museums, Vienna. 64 16 Helmet with harpy, from the armour of Alessandro Farnese, by Lucio Piccinino. 61 viii Illustrations 15 Detail of armour with grotesque codpiece and poleyns, 1550–60. 42 10 Multiple grotesque helmets, ca 1550. 41 9 Elements of a light-cavalry armour, ca 1510. 39 8 Portions of a north Italian field armour, ca 1510. 32 7 North Italian composite armour, ca 1390. ![]() 28 5 Burgonet of Francesco Maria I della Rovere, Duke of Urbino. 12 3 Roman-style cuirass (‘Medici fragments’). 8 2 Armour for heavy cavalry, ca 1610–20. Contents List of Illustrations vii Photograph Credits xi Acknowledgments xiii Introduction 3 PART ONE: ARMOURED BODIES 1 The Classical Body: The Poetics of the Bella Figura 2 The Sacred Body: The Armour of Sacrifice 37 3 The Grotesque Body: Tropes and Apotropes PART TWO: STUDIES IN SELF-FASHIONING 4 Guidobaldo II della Rovere (1514–74) 5 Charles V Habsburg (1500–58) 104 6 Cosimo I de’ Medici (1519–74) 132 Conclusion Glossary Notes 160 165 167 Bibliography Index 237 217 73 54 25 This page intentionally left blank Illustrations 1 Sultan Suleiman the Magnificent wearing the jewel-studded helmet. University of Toronto Press acknowledges the financial support for its publishing activities of the Government of Canada through the Book Publishing Industry Development Program (BPIDP). University of Toronto Press acknowledges the financial assistance to its publishing program of the Canada Council for the Arts and the Ontario Arts Council. NK6652.A1S67 2010 739.7⬘5094509031 C2010-900370-5 This book was published with the aid of a grant from the Division of Literatures, Cultures and Languages at Stanford University. Armor, Renaissance – Social aspects – Italy. Includes bibliographical references and index. Toronto Italian Studies Library and Archives Canada Cataloguing in Publication Springer, Carolyn Armour and masculinity in the Italian Renaissance / Carolyn Springer. ARMOUR AND MASCULINITY IN THE ITALIAN RENAISSANCE This page intentionally left blank CAROLYN SPRINGER Armour and Masculinity in the Italian Renaissance UNIVERSITY OF TORONTO PRESS Toronto Buffalo London © University of Toronto Press Incorporated 2010 Toronto Buffalo London Printed in Canada ISBN 978-1-4426-4055-9 Printed on acid-free, 100% post-consumer paper with vegetablebased inks.
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